The Spiral Line


The Spiral Line



Overview


The Spiral Line (SPL) (Fig. 6.1) loops around the body in two opposing helices, right and left, joining each side of the skull across the upper back to the opposite shoulder, and then around the ribs to the front to cross again at the level of the navel to the hip. From the hip, the Spiral Line passes like a ‘jump rope’ along the anterolateral thigh and across the shin to the medial longitudinal arch, passing under the foot and running up the posterolateral side of the leg to the ischium and into the erector spinae myofascia (of either side, depending on posture or position) to end very close to where it started on the skull.




Postural function


The SPL functions posturally to wrap the body in a double spiral that helps to maintain balance across all planes (Fig. 6.2A–C/Table 6.1). The SPL connects the foot arches with the pelvic angle, and helps to determine efficient knee-tracking in walking. In imbalance, the SPL participates in creating, compensating for, and maintaining twists, rotations, and lateral shifts in the body. Depending on the posture and movement pattern, especially which leg is characteristically more weighted, forces from the legs can travel up the same side or cross to the opposite side of the body at the sacrum, especially in the contralateral motion of walking (see Ch. 10).




Much of the myofascia in the SPL also participates in the other cardinal meridians (SBL, SFL, LL) as well as the Deep Back Arm Line (see Ch. 7). The SPL is involved in a multiplicity of functions, so that dysfunction in the Spiral Line can affect the easy functioning of these other lines. Because most people worldwide have a dominant and recessive hand, leg, and eye, the Spiral Line is rarely perfectly balanced side-to-side, but is functionally adaptable within fairly wide tolerances.




The Spiral Line in detail


For convenience, we will change tactics and begin detailing the SPL from the top, keeping in mind that in vivo any of these lines can and do create myofascial force transmission from either end or from nearly any ‘track’ along their length.


The SPL begins on the side of the skull, at or above the lateral part of the nuchal line, at the junction between the occiput and temporal bone, sweeping down and in on the splenius capitis muscle. On its way, it picks up the splenius cervicis, meeting the spinous processes from C6 to T5 (Fig. 6.3A).



Crossing over the tips of the spinous processes with a continuous fascial sheet, we pick up the rhomboids major and minor on the other side as part of the same fabric (see Figs In. 10 and 2.6, pp. 5 and 69). (A smaller mechanical link runs from the splenius to the thinner serratus posterior superior which underlies the rhomboids and attaches to the ribs just lateral to the erectors – Fig. 6.3B). The rhomboids carry us along the same line of pull over to the medial border of the scapula, thus connecting the left side of the skull to the right scapula and vice versa (Fig. 6.4).



From the medial border of the scapula, there is a direct fascial connection to the infraspinatus and subscapularis of the rotator cuff, which we will explore with the Arm Lines in the next chapter. The SPL, however, continues on a less obvious but nevertheless very strong fascial connection with the serratus anterior, deep to the scapula (Fig. 6.5). In dissection, the connection of the rhomboids to the serratus anterior is stronger and more ‘meaty’ than the connection of either muscle to the scapula itself.



The rhomboids connect to a goodly portion of the serratus, which is a complex muscle with many internal fiber directions. The SPL track as described above passes primarily through the lower part of the serratus anterior muscle. The serratus originates on the profound side of the medial border of the scapula and passes to attachments on the first nine ribs, but the part that attaches to ribs 5 through 9 provides the spiral continuity we are following (see Discussion 2, the Upper Spiral Line and Forward Head Posture, p. 146, to follow another of the directions within the serratus). In dissection, the fascial continuity with the rhomboids is very clear. If we could fold the glenoid section of the scapula back to expose the serratus, we would see clearly that there is one muscle – the rhombo-serratus muscle, so to speak – with the medial border of the scapula glued into its fascia about halfway in its journey from the upper thoracic spinous processes to the lateral ribs (Fig. 6.6). If the scapula is cut away from the underlying tissues, the connection between the rhomboids and serratus remains very strong (Fig. 6.7).




image


Fig. 6.7 The same specimen as Figure 6.4, viewed from the profound side. The peritoneum and transversalis fascia, as well as the remnants of the falciform ligament, can be seen in the lower (right) part of the specimen. The attachments of the serratus and external obliques to the ribs can be seen, as well as the stark fact of the stronger attachment that both muscles have for each other than either has for the ribs.



image imageimageGeneral manual therapy considerations


The SPL cuts across many of the other lines as a ‘parasite’, meaning that most of the structures involved in the SPL also take part in other lines as well. Techniques for the splenius capitis, tensor fasciae latae, and fibularii (peroneals) can be found in Chapter 5 (or the Lateral Line DVD). image There is more on the rhomboids with the Deep Back Arm Line in Chapter 7, on the biceps femoris and erector spinae in Chapter 3 (or the Superficial Back Line DVD), imageand on the tibialis anterior and abdominal muscles in Chapter 4 (or the Superficial Front Line DVD). image Here in this chapter we focus on additional techniques aimed at areas exclusive to the Spiral Line.


Common postural compensation patterns associated with the SPL include: ankle pronation/supination, knee rotation, pelvic rotation on feet, rib rotation on pelvis, one shoulder lifted or anteriorly shifted, and head tilt, shift, or rotation.



The rhombo-serratus muscle


imageThe rhombo-serratus muscle (the rhomboid-serratus anterior sling) often shows medial to lateral or side-to-side imbalance that can be corrected manually. Taking the medial to lateral differences first: a common pattern is that the rhomboids are locked long (overstretched, eccentrically loaded) with the serrati locked short (concentrically loaded), pulling the scapula away from the spine. This pattern will show up commonly in body-builders, and those with a tendency to the kyphotic spine (anterior thoracic bend). In these cases, the therapist wants to lengthen the serrati while the client engages the rhomboids.


Seat your client on a low table or a bench with his feet on the floor and the knees lower than the hips. Have him bend slightly forward at the mid-chest. Move in behind him so that your chest is close to his back. (Use a pillow between you if this is uncomfortable, but you must be close for this technique to be supportable for the practitioner and to work for the client.) Put your open fists out on the lateral rib cage, just outside of or just on the lateral border of the scapula and the lateral edge of the latissimus dorsi. Your proximal phalanges are resting on, and parallel to, the client’s ribs, and your elbows are as wide and forward as you can comfortably position them. Peel the tissue around the rib cage toward your chest and his back, bringing the latissimus and scapula with you toward the posterior midline. Do not dig into the rib cage, but rather bring the entire shoulder structure around the ribs. At the same time have the client lift his chest in front with a big, proud inhale. With a little practice this will stretch the myofasciae of the serratus anterior, and encourage the rhomboids to assume proper tone (DVD ref: Spiral Line, 16:00–20:28). image


If there is a right–left difference between the two scapulae, use the same positioning, but merely emphasize the pressure to create change on the one side while stabilizing both the client and the practitioner with the other.


The converse pattern is less common, but still encountered frequently, where the rhomboids are locked short and the serrati locked long. In these patterns, the scapulae tend to be held high and close to the spinous processes, a pattern which often accompanies a flat (extended) thoracic spine.


To address this pattern in the SPL, have your seated client bend forward a little (not so far that he can rest his elbows on his knees) to expose the area between the thoracic spine and the vertebral border of the scapula. Standing behind, work out from the center line toward the scapula using your knuckles or elbows, lengthening in both directions away from the spine. The client can help in two ways: by pushing up from the feet into your pressure, the client will help keep the back sturdy and create more of a roundness (flexion). To get extra stretch out of the rhomboids, have the client reach out in front and bring the arms across each other as if giving someone a big slow hug (DVD ref: Spiral Line, 20:28–25:53). image


To emphasize one side more than the other, merely increase the pressure on the shorter side. Alternatively, cross your hands over each other, with one against several thoracic SPs, and the other against the vertebral border, and by pushing your hands apart, induce a stretch in the rhomboids and trapezius.



image imageThe internal and external oblique complex


From the lower attachments of the serratus, our way forward is clear: the serratus anterior has strong fascial continuity with the external oblique (Figs 6.7 and 6.8). The fibers of the external oblique blend into the lamina of the superficial abdominal aponeurosis, which carries over to the linea alba, where they mesh with the opposing fibers of the internal oblique on the opposite side (Fig. 6.7). This carries us to our next ‘station’, the ASIS (anterior superior iliac spine) and an opportunity for a brief sidetrack, or, in this case, a roundhouse (see ‘Roundhouse: the anterior superior iliac spine’ below).



In the abdomen, one set of external/internal oblique (abdominal ribs to opposite pelvis) complex may be visibly shorter than the other (Fig. 6.9). Position the fingertips into the superficial layers of abdominal fascia and lift them diagonally and superiorly toward the opposite ribs (DVD ref: Spiral Line, 12:28–16:00). imageThis will usually serve to correct this imbalance, although more complex counterbalancing patterns often involve the psoas as well (see Ch. 9).




image imageRoundhouse: the anterior superior iliac spine


The SPL passes over the anterior superior iliac spine (ASIS), touching there as a station before passing down the leg. The ASIS is of such central importance to structural analysis in general, and myofascial continuity theory in particular, that we must pause here to note the various mechanical pulls from this point. It could be compared to a clock or a compass, but since we are mired in train images for this book, we will call it a roundhouse (Fig. 2.11B, p. 71).


The internal oblique pulls the ASIS in a superior and medial direction (Fig. 2.11A). Other internal oblique fibers, as well as fibers from the transversus abdominis, pull directly medially. Still other fibers of the internal oblique fan, plus the restraining cord of the inguinal ligament, pull medial and inferior. The sartorius, attaching to the ASIS on its way to the inner knee, pulls mostly down and slightly in. The iliacus, clinging to the inside edge of the ASIS, pulls straight down toward the inner part of the femur.


The rectus femoris, as we noted in discussing the Superficial Front Line, does not attach to the ASIS in most people; nevertheless it exerts a downward pull on the front of the hip from its attachment a bit lower on the AIIS. The tensor fasciae latae pulls down and out on its way to the outer aspect of the knee. The gluteus medius pulls down and back toward the greater trochanter, the transversus abdominis pulls back nearly horizontally along the iliac crest, and the external oblique pulls up and back toward the lower edge of the rib cage.


Getting all these forces to balance around the front of the hip in both standing and gait involves an attentive eye, progressive work, and more than a little patience. This balance involves at least three of the Anatomy Trains lines – this Spiral Line, the Lateral Line, the Deep Front Line, and, by mechanical connection, the Superficial Front Line. Proper assessment involves weighing an ever-shifting dance of pulls created by a host of myofascial units across each semi-independent side of the pelvis.


Because of the many pulls and tracks competing to set the position of the ASIS, the SPL does not always win out in communicating between its upper track (the skull to ribs to hip portion we have just covered) and its lower track (the ‘jump rope’ around the arches we are about to cover). Therefore, we often assess and consider these two halves of the line separately.



The lower Spiral Line


imageThe lower SPL is a complex sling from hip to arch and back to the hip again.


Continuing on from the ASIS, we must keep going in the same direction to obey our rules. Rather than sharply switching our course onto any of these other lines of pull, we pass directly across, connecting from the internal oblique fibers to the tensor fasciae latae (TFL) from the underside of the ASIS and lip of the iliac crest. Figure 6.10 shows how the TFL blends with the anterior edge of the iliotibial tract (ITT), which, as we noted when discussing the Lateral Line, passes down to the lateral condyle of the tibia (Fig. 6.11).



Jun 11, 2016 | Posted by in ANATOMY | Comments Off on The Spiral Line
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